http://tombittikoffer.com/
Thomas Bittikoffer is from
Dallas, Texas where he got his start in post production and visual effects.
In 1996 he began work with an eclectic studio Intelecon, He began with
Alias' Power Animator until the introduction of Maya in 1998. While at
Intelecon, Thomas helped pioneer stereoscopic 3D production by making the
world's first stereoscopic music video which was the largest stereoscopic
projected image in the world for the rock band KISS. After the success of
that project, Thomas started a small boutique visual effects studio in Dallas
called Tribe FX where they served corporate and commercial clients In the
fall of 2001, Thomas took leave from his studio to pursue a bachelor's degree
in English, all the while freelancing to help pay expenses for school. In
2005, Thomas continued freelancing but expanded his clients to include west
coast production agencies. In 2007 he and his family moved to Los Angeles
where he freelanced at some of the best regarded studios in the commercial
visual effects industry. In 2008, he took a staff position at Interlace
Media where he built a production pipeline for streamlining the rendering of CG
elements used by a team of compositors to build final picture. In 2012
Thomas resumed freelancing, landing at Stardust Studios where he currently is a
VFX generalist. Thomas's research interests include generating a
volumetric, tiered lookup table for the addressing of full-parallax 3d content
and the display of such material using MEMS and piezoelectric optical
elements.
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